It's been a long time coming, this foray into figure painting. I like to draw faces, and bodies when I can get one to stand still. The human form is so precious, with all its little nooks and crannies, with the way shadows fall and light shines. I left this madonna really loose, and she may stay that way. This medium is not as easily blended as oils, and I like the colors and the way they go together to make the figure. I am having soooooo much fun here. It's even better than fingerpainting was in kindergarten. And next, there are pastels on their way to me, Sennelier soft pastels, that have the incredible ability to be turned into watercolors with the touch of a wet brush. Oh, I can barely wait!
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Monday, 11 October 2010
The cowwoman paints (gasp) a woman!
It's been a long time coming, this foray into figure painting. I like to draw faces, and bodies when I can get one to stand still. The human form is so precious, with all its little nooks and crannies, with the way shadows fall and light shines. I left this madonna really loose, and she may stay that way. This medium is not as easily blended as oils, and I like the colors and the way they go together to make the figure. I am having soooooo much fun here. It's even better than fingerpainting was in kindergarten. And next, there are pastels on their way to me, Sennelier soft pastels, that have the incredible ability to be turned into watercolors with the touch of a wet brush. Oh, I can barely wait!
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